Homegoing, by Yaa Gyasi
Hardcover: 320 pages
Publisher: Knopf; 1st edition (June 7, 2016)
Reading Sara Rating: 9/10
Reading Sara Review: Well, it might have happened. I might have read my favorite book so far this year! Homegoing is incredible not just because of the stories that it tells, but the unique way that it tells the stories. I simply did not want to stop reading.
Homegoing follows two sisters, separated in childhood by their mother who did not share with them the existence of the other. Each chapter follows one character whose lineage can be traced back to these sisters. Both daughters are born in Ghana to different tribes, and one daughter marries a British slaver, while the other is sold into slavery and sent to the United States. As you can imagine, the stories of their children vary drastically at first, but as time goes on, they all deal with struggles and unforgiving circumstances.
The remarkable research that this book must have taken to follow the several decades (I think it spans 250 years!) of these people’s lives astounds me. The threads that connect everyone are beautifully sewn. No one’s lineage is without terrible circumstances. But each choice that someone makes follows them to the next generation, and then the next.
There were times I wished I could learn more about individuals, rather than just one chapter. As a reader, you are left wondering how some things ended up – only sometimes getting a real answer. The benefit of this is that as a reader, you never tire of a character. I would prefer to be left wondering than be bored. This book is short but powerful.
I cannot believe that this is her debut novel. I am confident that Yaa Gyasi will continue to amaze readers for decades to come. Do yourself a favor and pick this one up. Even though it is fiction, it is rooted in our histories and is the type of book we should all be reading and learning about our negative history here in the United States.
A few memorable quotes:
“Forgiveness was an act done after the fact, a piece of the bad deed’s future. And if you point the people’s eye to the future, they might not see what is being done to hurt them in the present.”
“We believe the one who has power. He is the one who gets to write the story. So when you study history you must ask yourself, Whose story am I missing?, Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there you get a clearer, yet still imperfect, picture.”
“This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on.”